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KENNESAW, Ga. | Nov 17, 2020

Renowned artist visualized his impressions of Hurricane Katrina鈥檚 aftermath in silkscreen

The Bernard A. Zuckerman Museum of Art (ZMA) is pleased to announce a new acquisition of work by renowned African American artist . The Aftermath of Katrina: A Church and a Home, a silkscreen print on handmade Hiromi paper, visually transforms Birch鈥檚 impressions of the aftermath of Hurricane Katrina through the medium of silkscreen printing.

The large-scale print was generously donated to the ZMA by , a professional printmaking and letterpress shop housed in the Printmaking Department at the Maryland Institute College of Art [MICA] in Baltimore, Maryland. The work documents the conclusive effects and lasting impacts of Hurricane Katrina on the landscape of Birch鈥檚 native city of New Orleans.

Image, above: Willie Birch 鈥淭he Aftermath of Katrina: A Church and a Home鈥� 30鈥� x 83.5鈥� Silkscreen on handmade Hiromi paper. 

In residence for one month at MICA in October of 2006, Birch worked on the large-scale print in collaboration with faculty and student printers at Dolphin Press. Moreover, the work remains relevant in its shared relationship to recent historical events that have further illuminated the great divides that exist between race and class in our country, making this work of historical significance a poignant addition to the already robust print collection of the Zuckerman Museum of Art. 

鈥淕iven the context of New Orleans in terms of life and death, there is something about creating art that allows me to put things in perspective. One of my definitions for creating art is we take chaos and create art out of it. So, we鈥檙e making sense out of the reality of our existence,鈥� said Birch.

He draws narrative inspirations from New Orleans鈥� rich and complex heritage of the African American community and from its Mardi Gras tradition. Through his work, Birch demonstrates the potential to provoke social change, often seeking to blur the boundaries of art and life.

, director of curatorial affairs at the ZMA, has a unique connection to Birch, as she collaborated with him on another project at the Rutgers Center for Innovative Print and Paper: Birch鈥檚 Million Man March (1996). Technically exceptional and poignant, the work remains a witness to鈥攁nd marker of鈥攈istorical events. Birch created the piece, a man鈥檚 suit fashioned out of handmade paper with collaged pulp-painted elements, to commemorate the Washington, D.C. Million Man March of 1995.

Birch鈥檚 work is exhibited throughout the United States, housed in the collections of the Metropolitan Museum of Art, New Orleans Museum of Art, The Ogden Museum of Southern Art, and the Delaware Center of Contemporary Arts, among others. He received his MFA from Maryland Institute College of Art and his BA from Southern University of New Orleans.

--Kathie Beckett