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KENNESAW, Ga. | Oct 15, 2024

Experience the Magical, Musical Journey of Self-Discovery

Kennesaw State University鈥檚 Department of Theatre and Performance Studies (TPS) is excited to announce its upcoming production of the Tony Award-winning musical running Nov. 7-17 at the Stillwell Theater, and there is magic everywhere. 

The Magic of Growth
This vibrant production brings to life the timeless story of Pippin, a young prince in search of purpose and fulfillment. Set against the backdrop of a traveling performance troupe, 鈥淧ippin鈥� invites audiences on a fantastical journey filled with dazzling choreography, unforgettable songs by Stephen Schwartz (鈥淲icked,鈥� 鈥淕odspell鈥�), and a captivating exploration of ambition, identity, and meaning in the magic of growth. 

, Chair of TPS, believes this production will deliver a fresh take on the beloved musical while staying true to its core themes. 鈥淭his is a show about growth, about exploration,鈥� he explains. 鈥淚t鈥檚 about finding your way in a world full of illusions and distractions. It speaks to audiences of all ages, especially to our students who are themselves navigating the transition to adulthood.鈥�  

The Magic of Talent
TPS faculty directs the production, which he counts as one of his all-time favorite musicals. (He played the lead role at Pebblebrook High School in Mableton, Ga., 40 years ago!) He says it鈥檚 been a joy to direct the student cast of 30, representing some of Kennesaw State鈥檚 most talented performers bringing their high energy to the fully-staged production. There are some surprises in store, from a historical nod to the dynasty of Charlemagne to a glimpse of the timeless tale of 鈥淕ame of Thrones.鈥� Audiences will be mesmerized by the dynamic set designs, colorful costumes, and engaging choreography by guest choreographer Kari Twyman. The choreography is a nod to the original Bob Fosse production from 1972. 

Check out the costume sketches below, courtesy of Assistant Professor of Costume Design Ricky Greenwell. 

The Magic of Choice
The musical remains relatable today because it鈥檚 the journey of a young person into adulthood. Ellis explains, 鈥淥ur students can connect because Pippin is journeying into his adulthood with innumerable questions about the future. I鈥檓 honing in on the voices that we seek to hear from鈥攖he voices that they think know better鈥攖hat may either encourage you or steer you the wrong way.鈥�  In essence, it鈥檚 choosing between reality and non-reality, between the true and the magical. Ellis emphasizes that dilemma by presenting the title player role with two actors.

The Magic of Recognition
He explains that the two actors are the 鈥渘arrators, but also the voices urging us鈥攁nd sometimes tricking us鈥斆� la the angel and devil voices particularly represented in American cartoons and in early religious teachings of many faiths. The two actors aren鈥檛 individually assigned the angel or devil. They might just switch that assignment throughout. In modern-day thought, they might also represent social media or the news media. What is Pippin to believe? Which path should he follow? It鈥檚 the magic of recognition.鈥� Older audience members may recognize America in the 1970鈥檚, with its hippies, cults, and unique music. 

The Magic of Music
The songs and dances in the show echo the style of that period, utilizing the magic of music to transcend time and examine hard questions. Ellis asks a question that would be relatable in the 1970s: are we beguiled by cult-like thought and practice? What defines a cult, and could it be represented by government, religion, social media, biased news media, etc.? 鈥淎re we enticed by others who may divert us from a path we have already begun? Ultimately, we each must decide who we trust, what path we trust, and what voices are true to our heart,鈥� he says. 

Trust your heart and go see 鈥淧ippin鈥� at the Stillwell Theater on the Kennesaw campus Nov. 7-17. Buy tickets or call 470-578-6650. There鈥檚 Magic to Do! 

--Kathie Beckett